Umberto
D is undoubtedly the saddest story ever
filmed about a man and his little dog. It tells its story without the least
trace of artifice whatsoever. Granted the story is sad: at times it evokes
nothing but the most heartfelt tears from our eyes. But it is not the sort of
emotion aroused by manufactured melodrama. We see Umberto, a retired Professor,
as he grapples with poverty, an overbearing landlady, and indifferent
colleagues, with no friend in the world except for, yes, his little dog.
There’s a young maid who is always on his side as well, but, like the dog, she
can do precious little to help him.
Umberto
D was directed by Vittorio de Sica in 1952.
By this time, Italy, in which this film is based, was emerging from the War.
Filmmakers like de Sica wanted to portray life as it was: bittersweet and
temptingly ironic. He made Shoeshine in 1946 and Bicycle Thieves
in 1948. Both films won Honorary Oscars. Both appear in various best films of
all time lists. And both portray their stories, and characters, as they should
be portrayed: with a clinical, but nonetheless bitter, attitude.
This
film is rightly considered his masterpiece – it was also his favourite. There
is a special reason for it too. The formula – that of a man and his little dog
– has been used over and over again, even to the point of overkill, by
subsequent films. You can see traces of it in many modern “dog films” – from Shiloh
to Marley and Me to Hachiko. To their credit, these are films
that do justice to de Sica’s unsentimental vision. As a person who grew up
watching Shiloh during almost every holiday season, I should know that.
But
there is something in Umberto D that is different, unique. Perhaps this
is owing to two key sequences from the movie. One is with the hero (played by a
real-life Professor) frighteningly searching for Flike, his pup, in a dog
pound, for fear that it has been “put to rest” after being rounded up. Flike
isn’t dead, but the moment where the two reunite is a true tear-jerker. For Umberto, it’s as though the entire world has
finally come back together again.
The
second one is much sadder. Ground to his last, Umberto is forced to contemplate
suicide. After hopelessly trying to lose it, he realizes that Flike will simply
not leave him. So he decides to jump onto the train with it. I won’t reveal
much – because to experience it fully you must see it for yourself – but if you
don’t cry at what unfolds subsequently, then you’re no human being.
In
any list of saddest animal films ever, Umberto D should reside at least
in the top five. It has received more accolades than that, including a slot in Time Magazine’s 2005 list of the “All-Time 100 Movies”. As
a compassionate person, however, I think its plot, which never ceases to move
me, will be enough to convince you of this movie’s beauty. For that, however,
you must watch it for yourself!
Written for: Ceylon Today GUYS AND GIRLS, December 29 2013
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