Between darkness and
light is twilight. It is in this twilight, I think, that most of us reside. We
inhabit it because we are not ready for fame. Some, content with this world
in-between, stay there for the rest of their lives. But there are others who,
in a quest for popularity, try to get out. Still others, taking this quest too
far, regress into the back-shadows. The person I wish to write on in this article,
however, fits into none of these categories. She is neither hell-bent on
becoming popular, nor content in where she is right now. Progress comes in
small steps. Big steps indicate pride, and pride comes, as we all know, before
a fall. Kate Shine has no need for big steps; no chance of a fall for her,
then.
I am not a musically
inclined person. My tribute to Kate Shine, however, has very little to do with
her musical ability. For the benefit of those who don’t know, she is a cellist
from Russia. That’s the shortest thing to a description I can come up with, but
it hardly catches all what she stands on and stands for. In what she has done
so far, has achieved, and is planning on, I see reason for hope. For this
Russian cellist is well on her way up: not to crass superstardom, but to
gradual, painstaking success. As I read her story, I can do nothing else but
believe this to be true. But I’m letting myself get a little too ahead here.
Shine was born in Moscow
to a very musical family. “Our parents were both musicians. We were surrounded
by music right from the start,” she tells me. As is usual in such cases, Kate
drew herself to music as time passed by. She was three when she joined her
first music-school. At an age when most kids would normally be content with
connecting two words together, she was learning to play the cello, an
instrument that flanks her to this date. Doubtless, just as the aspiring writer
finds joy in finding the “bon mot” (right word), so she would have been happy
as a little child finding the right note to blend in with her rendition of a
piece. Music had entranced her at a tender age. This was just the beginning.
At age five, she
performed at a school function. “That was the first time I had to alight on a
stage. It was funny because the cello, which was naturally taller than I was at
that age, had to be carried by another person for me.” She is quite sure she
looked ridiculously funny then, and is also sure that she felt so then and
there. Instead of breaking apart under the usual strain of stage fright,
however, the experience decided her: “That was when I decided to become a
musician, come what may.”
Memory is pristine in
Kate, so more reminiscences are to follow. Her education, at this stage,
consisted only of classical music – a limited education. At age 12, however,
things began to change. “I remember hearing the song ‘Barcelona’, performed by
Freddie Mercury and Montserrat CaballĂ©,” she explains to me, “The experience
was riveting, fabulous… I was enflamed. Rock music allied with classical
strains – how amazing that idea sounded to me! And that was what I had heard on
radio.” The experience decided her further: she felt the need to explore the
world, and with it to dabble in new musical forms.
With this in mind and at
heart, Kate left for Hamburg. The city, she remembers, brought for her a third
career-defining turnaround. Having performed at several orchestras, she would
get to feel “totally comfortable” with the hustle and bustle she had got
herself into. That was when she discovered a new instrument – the electric
cello. Kate’s ecstasy knew no bounds at this, as is evident from her own words:
“I finally saw a way to develop my career as a soloist, and to mix up various
musical styles together: the idea I had always longed for.”
That was the past. “All
that has brought me here today,” she remarks.
Admittedly, fame hasn’t
smiled at her as much as her talents would ordinarily demand. Coming from a
deeply musical family, however, seems to have inculcated in her none of that
crass sensationalism and thirst for popularity so typical of our time. Put in
another way, she’s lying low, taking it easy. For the better, I should think.
Not that it should deter her from finding her place in the sun. But a rather
conservative and progressive climb up the ladder is her way of reaching what
lies beyond. Perhaps this is the sort of approach our singers and musicians
should take to heart today.
Kate Shine has visited
Sri Lanka. That was a month back. She remembers our hospitality, our gentleness,
and that goodwill so typical of our countrymen. She has nothing but praise for
them. But most of all, she remembers how Sri Lanka inspired her. “You’re asking
through which path an international audience best can get to know about me,”
she replies to a question of mine, “One definite path should be through your
country. I know that for sure.” Vaguely, but optimistically, she hints that her
international career may begin here.
We can never know for
sure whether this will turn out the way she wants, however. All we can do is
sit back and wait. “Every single step led me to where I am right now,” she tells
me with perfect honesty. It is difficult at times to look back and think ahead.
The past is another era, and one can never know how it can aid our future. I think
Kate can, though. If the past is anything to go by, Kate’s has the promise of a
lustrous future. In her, we may well see the matinee artist the world can
validly demand of her talent.
Looking back at my
conversation with her, I am reminded of what Susan Sarandon once told an
interviewer: “(With) the world as it is today, there are no guarantees. So you
might as well follow your heart.” Kate Shine may well know that this world
holds no guarantees. And, being deeply engaged to her work and passion, I believe
she is following her heart. Let us pray for that day when she will end her long
trek upward. Let us pray it comes soon. Until then, however, my countrymen and
I can only wait, watch, and applaud. Kate Shine is, as yet, full of promises in
the dark.
Written for: Ceylon Today LATITUDE, August 3 2014
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