Review of ADVENTURES OF RAILWAYMEN: 1940 TO 2005 by H. U. Thibbotumunwe. Published in
2013.
Train journeys
are never for the timid. They are also not for the sleepy-eyed. To the first-time
traveller, they are meant to be relished frequently, even after the journey’s
end. The reason for this is easy to miss, though. I admit I’ve gone on a train
just once. I was in Grade IV at the time. Too young to remember. But the memory
of that journey is still fresh in my mind, and I suspect it will continue to be
fresh as the years go by.
This is a book
about train journeys. It’s a book about different places visited and revisited.
It’s not written by a traveller, though. It’s not meant to be.
H. U. Thibbotumunuwe is a railwayman right through. He has made journeys. Countless journeys. Seen the same place again and again. Relished them all. Learned much. And, in his second book, given much. Adventures of Railwaymen covers 65 years and most of it in an engaging style that at once enchants the reader. But I’m getting a little ahead of myself here.
H. U. Thibbotumunuwe is a railwayman right through. He has made journeys. Countless journeys. Seen the same place again and again. Relished them all. Learned much. And, in his second book, given much. Adventures of Railwaymen covers 65 years and most of it in an engaging style that at once enchants the reader. But I’m getting a little ahead of myself here.
H. U.
Thibbotumuwe is a book waiting to be written. To the railway
community in this country, he is no stranger. And in his second book, he lays
bare for us what it means to be in the railway trade. It is as physically
demanding as it is mentally rewarding. Concentration is key, he tells us in the
first few chapters. True. The slightest miscalculation, the smallest error, and
everything will go haywire. Trains are serious business. They are not meant to
be meddled with.
The book is
filled with anecdotes from the start. Inevitably, this lends an experience felt
and lived through to its pages. A book of this sort, I feel, needs personal
experience, not bland reportage. Which is what Mr Thibbotumunuwe has given us.
He gives us facts, granted, and stays true to them, but this does not hinder him
from expressing his opinion from time to time. There are 21 chapters overall,
and all of them are true to life. Some, like the chapter “Was it Accident or
Suicide?”, are so fantastic, almost supernatural, that we have second doubts in
believing them. Reading them again, however, I am convinced that only deep
involvement with the railway line could have yielded such stories.
It is a
narrative style he uses in every chapter. Admirably. There are passages in his
“stories” (I cannot come up with a better word for them) which read as though
out of a novel. In the chapter “My Most Unforgettable Roommate” towards the
latter part of the book, he almost completely abandons reportage and narrates a
witty story, one that feels and breathes like a farce, a good comedy. Humour,
always a hard to get commodity in the engine room, is something Mr
Thibbotumunuwe never lacks. Thankfully. I am not for blandly recounting facts
and figures, however fantastical they may be. Respectful of the reader’s
penchant for story-telling (we are a species that loves to tell stories after
all), he takes up the mantle of a true narrator. This remains his greatest
strength throughout the book.
Mind you, this
doesn’t make Adventures of Railwaymen a sugar-coated puff piece. The
author is true to life, rightly so, and thus even stoops to reveal several
darker aspects to the railway trade. In his most “graphic” story, “Yangal
Modera King of Killer Level Crossings”, he recounts to us an accident which
costs nearly 50 lives. He keeps a fine balance between the physical damage and
human loss in the tragedy, and I can only quote his own words to prove this:
This avoidable accident has caused damage to the locomotive, the
permanent way and also loss of revenue to Government by way of curtailment of
service during the period. The loss of the omnibus to its owner and the income
from it. This above all the loss of 48 valuable innocent lives of passengers
for no rhyme or reason and the life long suffering through injuries caused to a
similar number. Their belongings either completely damaged or perished.
Mr
Thibbotumunuwe is very honest here. He seems almost cold, aloof, in how he
measures tragedy in this chapter and indeed every chapter with an accident in
it. Years and decades of service would have made him a reason-driven railwayman,
and he proves this in the first half of the book itself when, in the chapter
“Level Crossing Victim’s Left Leg”, he makes the following observation about a
distraught uncle of a legless train victim: “Uncle had a genuine grievance. The
fault was in his presentation.” That’s all. Nothing else.
Even at a time
of deep tragedy, the rational man in the author persists, and it is this which puts
into the book a naked, reportage-like austerity. Were it not for those
occasional lapses into emotion, into adjective and personal reflection, it
would have acquired a prose style worthy of a Hemingway or Camus. But no, it
shall never be. A book like this is not meant to be written by Camus. Tragedy
is recounted, true, but never at the cost of throwing aside personal reflection.
Even Camus knew this.
Towards the
latter section of his book, however, the author breaks apart a little. He gives
way to a more journalistic style. The words acquire haiku simplicity, to the
point where they appear more as words from a newspaper, giving information but
never breathing on their own. It is as though Mr Thibbotumunuwe has moved on,
realised the inevitable vicissitudes of life, and reduced his later years to
simple facts, free of frill. There is no obesity in his words, as there almost
was in the first half of the book. It is still a personal tone alright, but one
which is more sombre. In his last story, “Military Train Meets Barber”, he
abandons the narrative style partially, and instead of ending with a bang, he
ends with a whimper:
“Ok then cut my hair will you,” said the Major, removing his
peak-cap and exhibiting his Yul Brynner head with no hair at all.
He ends with
humour, but of a quiet sort. It is no coincidence that he mentions Yul Brynner
here. He has begun his book like a Hitchcock thriller (“Mystery of the Railway
Cash Bag 1942”) and ended it like a Western. One feels, rightly I suppose, that
in the last few words of his book, Mr Thibbotumunuwe seems to imagine all
railwaymen as lone heroes, held together by a common bond and, in the end,
leaving what they worked at as a John Wayne or, yes, Yul Brynner would.
This isn’t H. U.
Thibbotumunuwe’s first book. By all accounts, it will not be his last. He has
that irrepressible spirit which refuses to back down. It wants to go back in
time, to reflect, and to engage. He is the oldest living railwayman in this
country, a living museum waiting to be done justice to. I have met him only
twice, and in both occasions he has moved me, not just with his spirit but his
wit as well. That’s a rare combination.
There are
passages in his story which come only from a man who has worked, sweated, and
toiled. I’m sure a lesser man would have given up. He hasn’t. It is an enduring
credit to his spirit, perhaps, that he hasn’t also given up his wit. He is, in
the final analysis, a proud railwayman, and indeed a proud product of
everything he has passed and come through, including his school (Ananda
College).
Adventures of
Railwaymen: 1940 to 2005 covers more than half a
century. That’s no easy task. Mr Thibbotumunuwe has done it. And except for
those occasional spelling and grammatical errors which point towards the
publisher’s carelessness (they accumulate, I should regretfully say, as the
book builds up to its end), I relished his stories from line to line, word to
word. Sri Lanka’s railway service completes 150 years this month. What better
tribute to it can be found than Mr Thibbotumunuwe’s book!
Written for: Ceylon Today LATITUDE, December 21 2014
Written for: Ceylon Today LATITUDE, December 21 2014
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